Artiste
RAPHAEL TIERENS |
| Galerie : QUEENARTSTUDIO GALLERY |
| Editions AVRIL 2026 |
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| The modus operandi of Ralti (Raphael Tierens) is that to resist to the appearance more and more obvious of the reality, trying to recall the enigmatic nature of things. His appeal to the past is alive as to the future, in fact, this hybridized characteristic is sublimated through the union among the ancient imagery and the modern symbolism which represent for the artist a real attempt to cross its present in a surreal , ethereal, and dreamlike style in order to reach the places of the own soul. Ralti is expressed not only from an iconographic point of view, but also a matter point of view, in fact what is transmitted is not alone the mere color, but the artist places to the center of his representations the spirit, therefore in contrast to an art purely retinal the figures in the works of Ralti leavening lightly and the color is not only in itself and does not end there where it is given a material body, it responds intimately to the soul of the artist. Its stylistic technique is evidenced with of winding tonal background paintings that tend to dilate without a horizon, almost never very defined, or that visual too prospective, forces us inside a path or toward and immediate direction. Analyzing instead the deepest aspect, to level semantic/symbolic of the works of Ralti, can be found a style poetic and contentic very specific where the nuce of the work it is traced from thin executive methodologies and visual schemes directed at a reality linked to the dream-myth-thought. It is so spontaneous that we talk about a typology of artistic work mythopoetic, where the symbolic language would bring to the center of the work not only the systemic external form of the perspective scheme but the meaning of the single objects/symbols that Ralti in his every work wants to tell. In those spaces, where the time remains suspended, the vision of the spectator is reassured by the warm chromatic tonality that emanates a sense of positive message. According to the aesthetics of the distance of Marc Augè (French anthropologist), the location of the No Place is not other that a way of seeing from far, enormous distance, this in which we live in and surrounds us, without ever catching on detail and diversity. The artist Ralti reminds us to these not-places, that is, in those spaces that have the prerogative of not being identical, exactly of the places of the soul, where it is important instead the contribution given by the architectures, from the ruins, because they show us a time In motion, testify that wehave been there and give us the hope that we will still be in the future. Dernières années mes oeuvres étaient exposées dans différentes villes étrangères comme Rome , Paris , Cannes, Nice, St-Tropez , Florence , Berlin etc. L'année passé en 2017 j'ai fait une exposition personelle dans la Galleria Il Collezionista à Rome et j'étais invité par la Galleria QueenArtStudio ( Padova ) pour L'Art Shopping ( Caroussel du Louvre) et à Cannes et au mois de juillet 2018 pour le Grand Salon Art 3F à aussi par cette Galleria. Une de mes oeuvres est en propriété de la ville de Cannes ( Collection Public ). Je continue mon parcours surrealist dans la peinture et souvent j'aime bien faire des recherches dans ma monde spirituel et dans mes fantasies . Tout ça va naturellement sur le timbre de la musique qui enrichisse mon inspiration . Déjà un certain temps je suis passioné par l'opera et longtemps par la musique électronique que je suis aussi occupé d'une manière active . L'experiment avec des synthetiseurs et modules me donne une source d'énergie pour créer des sons et des nouvelles peintures après . Ralti https://ralti.be/ |
 PSYCHÉ HUILE SUR TOILE 60X60 CM 2024 |  ÉNIGMATIQUE HUILE SUR TOILE 60X60 CM 2025 |  EXALTATION HUILE SUR TOILE 24X30 CM 2024 |  PASSION HUILE SUR TOILE 24X30 CM 2024 |